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Which module for me?

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Absorb

Small Spaces
First Reflections

Acoustic absorption is about soaking up unwanted sound reflections so they don’t bounce endlessly around a room. When you clap your hands in a bare space and hear a sharp echo or lingering “ring,” that’s sound energy reflecting off hard surfaces like walls, ceilings, and floors. Too many reflections can make music muddy, speech hard to understand, and long listening sessions fatiguing. Absorbers reduce these reflections, creating a cleaner, more accurate sound environment—whether it’s for mixing a track, watching a movie, or simply enjoying a calmer, quieter space. At MorphAcoustics, our absorbers are engineered as multi-layered acoustic systems rather than single-material solutions. Each module combines: Front and back PET felt layers for high- and mid-frequency absorption and surface reflection control. Precisely calculated air gaps that improve low-frequency performance through increased sound wave penetration. A dense mineral wool acoustic core that targets and attenuates bass and low-mid resonances. This engineered layering ensures a broad frequency range of absorption, delivering control from deep bass to crisp treble. Applications vary: bass traps in corners address low-end buildup, ceiling clouds control vertical reflections, and wall-mounted absorbers at first reflection points improve clarity, stereo imaging, and speech intelligibility. By tuning the thickness of each layer and adjusting the air gap depth, we create tailored solutions for each acoustic environment.

Diffuse

Live Rooms
Character

Diffusion improves a room’s acoustic character without deadening it. Instead of absorbing energy, diffusers use precisely calculated surface geometry—often based on mathematical sequences like Quadratic Residue or Skyline patterns—to scatter sound waves in multiple directions and time intervals. This breaks up strong reflections, eliminates flutter echoes, and maintains a sense of openness and space. Pure diffusion is ideal for performance venues, control rooms, and listening environments where liveliness, depth, and even coverage are desired. However, many spaces need both control and spaciousness—this is where hybrid modules excel. Our MorphAcoustics hybrid systems integrate diffusion geometry on the surface with a concealed multi-layer absorption system behind it: PET felt, air gaps, and dense mineral wool work together to subtly attenuate problematic frequencies while allowing others to remain vibrant. This combination gives you the best of both worlds—tight, controlled sound without losing the natural ambience of the room. Every diffuser and hybrid module is designed as an acoustic-architectural element, merging precision performance with visual design.

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Bespoke

Made to measure
Architectural Integration

Our series products are crafted to deliver outstanding performance in most spaces, but some projects demand a truly personalised touch. MorphAcoustics Bespoke offers the freedom to adapt our designs entirely to your space—whether that means creating custom-sized modules, tailoring finishes and colours, or planning fully integrated acoustic interiors. From a single statement wall to an entire room designed for acoustic excellence, we work closely with you to ensure every element fits seamlessly—both acoustically and visually. This can include designing continuous panel systems, incorporating acoustic treatments into architectural features, or developing complete wall and ceiling layouts. With bespoke, you receive the same proven MorphAcoustics performance, crafted as a perfect fit for your space’s proportions, purpose, and aesthetic vision.

The essence
of airgaps

Small Spaces
Dynamic

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First Reflections

Small Spaces
Dynamic

First reflections are the earliest sound waves that bounce off walls, ceilings, or floors before reaching your ears or microphones. These reflections can cause phase interference, comb filtering, and muddiness, which negatively impact clarity, imaging, and overall sound quality. Finding the exact locations of first reflections is a key step in any acoustic treatment process. This is typically done by using a mirror trick: when sitting in your listening or mixing position, a helper moves a mirror along the walls and ceiling—wherever you see the speaker’s reflection from that spot, that’s a first reflection point. These points are where sound arrives indirectly but quickly enough to interfere with the direct sound. If you’re working with a limited budget, focusing on treating first reflections is the smartest place to start. Controlling these early reflections with absorptive or hybrid modules can dramatically improve clarity and imaging without needing to treat an entire room. It’s a cost-effective way to achieve a noticeable upgrade in sound quality and listening comfort.

The art of
bedroom studios

Small Spaces
Dynamic

First reflections are the earliest sound waves that bounce off walls, ceilings, or floors before reaching your ears or microphones. These reflections can cause phase interference, comb filtering, and muddiness, which negatively impact clarity, imaging, and overall sound quality. Finding the exact locations of first reflections is a key step in any acoustic treatment process. This is typically done by using a mirror trick: when sitting in your listening or mixing position, a helper moves a mirror along the walls and ceiling—wherever you see the speaker’s reflection from that spot, that’s a first reflection point. These points are where sound arrives indirectly but quickly enough to interfere with the direct sound. If you’re working with a limited budget, focusing on treating first reflections is the smartest place to start. Controlling these early reflections with absorptive or hybrid modules can dramatically improve clarity and imaging without needing to treat an entire room. It’s a cost-effective way to achieve a noticeable upgrade in sound quality and listening comfort.

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Instructions

Small Spaces
Dynamic

First reflections are the earliest sound waves that bounce off walls, ceilings, or floors before reaching your ears or microphones. These reflections can cause phase interference, comb filtering, and muddiness, which negatively impact clarity, imaging, and overall sound quality. Finding the exact locations of first reflections is a key step in any acoustic treatment process. This is typically done by using a mirror trick: when sitting in your listening or mixing position, a helper moves a mirror along the walls and ceiling—wherever you see the speaker’s reflection from that spot, that’s a first reflection point. These points are where sound arrives indirectly but quickly enough to interfere with the direct sound. If you’re working with a limited budget, focusing on treating first reflections is the smartest place to start. Controlling these early reflections with absorptive or hybrid modules can dramatically improve clarity and imaging without needing to treat an entire room. It’s a cost-effective way to achieve a noticeable upgrade in sound quality and listening comfort.

Detaild easy hanging
instructions

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